Paul Lofeodo’s interdisciplinary practice is concerned with questions of embodiment, performativity and violence in the constitution of the subject. Lofeodo’s work draws from archival images and aesthetic patterns, and employing the grammars of tableaux vivant, theatre and the photographer’s studio re-articulates symbols to plays with the contingency of signifiers and the metaphysics of presence to analyze the functionings of hegemonic structures and embodied practices by which we are made and make ourselves into subjects.