SARAH TROUCHE INITIATES A CRITICAL REFLECTION THAT AIMS TO REVEAL THE ANOMALIES, THE AMBIGUITIES AND THE SOCIAL AND POLITICAL CONTRADICTIONS DEVELOPED THROUGH PERFORMANCE AND ART. THE WAYS OF INVENTING AND THE GENESIS OF PRAXIS OF EXPERIENCES AND PRESENCES IS MORE THAN A SIMPLE PRODUCTION OF FORMS AND OBJECTS, BUT A WAY OF MAKING THE VIEWER TRAVEL THROUGH SEVERAL DIMENSIONS, REINVENTING THE BODY AND ITS RELATION TO THE LATTER. HER ART, FIRST OF ALL, SEEKS TO TEST THE LIMITS OF WHAT IS POSSIBLE AND PERMISSIBLE. SEEKING SUSPENSE THROUGH IRRESOLUTION ALLOWS AN APPREHENSION TOWARDS MEETINGS WITH OTHER DISCIPLINES, ARCHITECTURE, PHILOSOPHY AND DANCE; THUS COLLABORATION BECOMES ESSENTIAL TO HER PRACTICE, BRINGING A LEVEL OF COMPLEXITY, OF COMPROMISE, OF OVERFLOWS, RENDERING HER WORK UNPREDICTABLE.