THROUGH HIS INSTALLATIONS AND SCULPTURES, STANLEY FÉVRIER, A VISUAL ARTIST, EXPLORES THE PHYSICAL AND PSYCHOLOGICAL SUFFERING CAUSED TO PEOPLE BY THE VIOLENCE OF THE MODERN WORLD. IF HIS WORKS, POLITICAL AND COMMITTED, ARE INSPIRED BY THE CHALLENGES OF POWER IN THE ERA OF GLOBALIZATION, THEN THEY ALSO TACKLE MORE INTIMATE QUESTIONS, SUCH AS THAT OF THE RELATION TO ONESELF AND TO THE OTHER, WHICH HAVE BECOME DIFFICULT IN OUR MODERN WORLD. WHERE LISTENING LOSES ITS VALUE. THE SENSITIVITY OF FÉVRIER'S GAZE AND THE EFFECTIVENESS OF HER PLASTIC STRATEGIES MOVE AND, AT THE SAME TIME, ENCOURAGE REFLECTION. HE TRIES TO CREATE A MEETING SPACE WHERE THE PARTICIPANTS ARE AT THE CENTER OF THE WORK. THIS LEADS THEM TO RE- POLITICIZE AND AFFIRM THEIR EXPERIENCES TO FINALIZE THE WORK; IN AN AWARENESS OF THE I, OF US, OF ITS POLITICAL POWER AND THE POLITICAL "UNDERSTOOD AS A CONCERN FOR SELF AND THE OTHER". HIS RECENT ARTISTIC AND CONCEPTUAL CONCERNS ARE BASED ON INSTITUTIONAL CRITICISM, ON IDENTITY ISSUES AND VIOLENCE, AS WELL AS ON THE INEQUALITIES ENGENDERED BY THE LATTER.